There is great debate and discussion regarding the proper care of rhinestone and costume jewelry. However, experience has demonstrated that the most damaging elements to costume jewelry and rhinestone pieces in particular are moisture, food, or hairspray.
Rhinestone jewelry should never be immersed in water or cleaning fluids. The moisture gets trapped behind the stone and gradually degrades the foil, causing the stone to “turn” or discolor. The foil backing is what gives the stones their brilliance. Replacing stones can often be difficult if an exact match isn’t available.
In order to properly clean your jewelry there are some necessary tools one needs to have handy:
3. Baby toothbrush
4. Soft cloth (i.e. old tee-shirt)
5. Drying towel
7. Jewelers loop
8. Alcohol or soap solution of 5mls to 240mls.
With the loop carefully examine the piece prior to cleaning. Take note of any loose stones or prongs and fasten them securely before commencing. With the piece upside-down (stones facing down) gently begin the cleaning process with a Q-tip or toothbrush dipped sparingly into either solution. Do not over saturate either implement. As you begin to clean the piece, any loose debris can be gently dabbed away with another cleaning cloth or another Q-tip. Blot dry and place on drying towel upside-down to allow to thoroughly dry.
Note it may take several times of repeating this method to fully remove all of the dirt. Alcohol will dry faster, but will not cut the debris to the same degree as the soap solution. I prefer to initially to use the alcohol method and finish with one round of soap-solution.
Some collectors will also gently use a blow-dryer on the cool setting to remove any residual moisture.
Article re posted from The Jewelry Stylist. Sellers of fine vintage costume jewelry. From signed pieces to unsigned beauties they provide a wonderful resource of vintage jewels for the collector, covering 110 years of fashion adornment.
Eloxal (electrolytic oxidation of aluminum) jewelry was made mostly from the mid-1940s to the mid-1960s. Eloxal jewelry can be found marked Germany or W. Germany and is among the collectible genre of aluminum jewelry.
Jewelry made of aluminum is sleek, sturdy, highly reflective and lightweight. It was a metal of choice for some couture designers because of these properties and it fit nicely into the Space-age, geometric shapes and designs that were relevant to the pop culture of the time. Sant’ Angelo also used this metal and juxtaposed dangling fruit as an additional adornment to his sleek jewelry to compliment the rich colors of his fashions.
Designing complementing pieces for a collection were not uncommon for jewelry designers. Generally, one “museum piece” would be designed, and other pieces were designed around the piece of center focus.
Body jewelry was very popular during the 1960s and the pieces shown speak to that fashion phenomenon. Jewelry was worn like it was a piece of clothing and many fashion designers were also in the business of jewelry design. The jewelry shown most likely was commissioned by Diana Vreeland the editor-in-chief of Vogue or Sant’ Angelo could have fashioned it “on the spot” as he was noted for doing during the infamous Sedona, Arizona fashion shoot later that year for Vogue that launch his career into fashion and jewelry design.
Article re posted from The Jewelry Stylist. Sellers of fine vintage costume jewelry. From signed pieces to unsigned beauties, they provide a wonderful resource of vintage jewels for the collector, covering 110 years of fashion adornment.